Sunday, 3 August 2014

As Fast As My Little Brush Can Go







New paintings recently completed for inclusion in a group show this November at The Gorstella Gallery. Enjoying playing with the composition and keeping the backgrounds simple and light. Got lots on this summer and will post images and information as it happens. Images are 'Song Thrush', 'Three Tree Sparrows', 'Three Wood Warblers', 'Two Gold Finches', 'Two Great Tits, Three Coal Tits, Thrush and Sparrow' and 'Two Robins'. All acrylic on board 15 cm x 15 cm except 'Two Great Tits..' which is 30 cm x 30 cm.   

Friday, 11 April 2014

Starlings and Trips to Liverpool

Painting nearing completion for the King of Cats Touring exhibition. Birds still need their speckles and beaks and eyes. The painting is 70 x 50 cm on canvas in acrylic and is based on an idea inspired by the Starlings that are not in the chimney knocking down soot.
Been to Liverpool and the Walker art gallery to collect my rejected painting from the John Moores 2014. Didn't do too badly getting in from over 2500 entries to the next stage of 180 but not through to the actual show of 52 works. Did get to speak with the project organiser which was very interesting and lifted my mood enough not to chuck the canvas into the river.
Thought I was in with a good chance this year and it seems that I was pretty close. Do I continue to waste my time and effort on these things? Can I get validity from some other avenue?
Decided to try and push the bird paintings toward a more fluid interpretation of how I experience the wildlife around me. Trying to add a feeling of that fleeting glimpse that you get from watching the birds in the garden. Will post the results when they arrive. 

Monday, 10 February 2014

Anxious Green

Painting completed yesterday (09/02/2014). 'Anxious Green' acrylic on canvas 40 cm x 40 cm
Number 2 in a series exploring ideas of mental health. This one has the top of Tina's head and a selection of garden birds (it is not a comment on her mental health). Not sure about the green, could be read as grass, when I am more interested in a slightly uncomfortable colour scheme.
Went to a seminar about approaching Galleries and Curators on Saturday co run by Castlefield Gallery and a-n. Came away feeling as if I could not forward my practice without already having a relationship with a curator or to be leaving an MA course (in London), a continuing feeling of 'them' and 'us' that I have had for the last few years. Back to being much more positive today, I would be making these paintings even if I was the only one to see them, everything else is a bonus.
Think I might enter this painting in the National Open Exhibition, I have another in planning so might wait and see how that turns out.

Wednesday, 8 January 2014

A Strip of Trees

'A Strip of Trees' acrylic on canvas 100 cm x 100 cm reworked and revisited for a group exhibition at the Lowry Hotel in Salford. Exhibitions starts on Thursday 16th January.

Wednesday, 6 November 2013

Nervous Yellow

This morning I have submitted my digital image for the John Moores painting prize for 2014. Shown above acrylic on canvas 40 cm x 40 cm. Been trying to imagine ideas around mental health and that gesture that people make to indicate you are crazy where they spin their finger at their temple. Read somewhere that this comes from the idea that your head is full of birds fluttering around which is quite an interesting description of how you might feel if you are going a bit crazy.

So I've tried a typically Rainham way to illustrate this idea. In searching for the information about the gesture I came across a book called 'The Yellow Wallpaper' by Charlotte Perkins Gilman which describes the descent into madness for woman at the beginning of the Twentieth Century.

Her mental health, described as nervousness, deteriorates when she is kept in an attic room of an old house that is wallpapered in a horrid, florid yellow paper. She begins to obsess about the pattern of the paper and thinks she sees a woman moving around behind it. The room is described as a nursery but shows signs of being somewhere where someone has been kept by force. there are iron rings in the wall, bars at the window and a big heavy bed screwed to the floor.  

The original colour of the background of the painting was my usual blue but I have changed it for this vivid yellow in response to the book.

Will know if the painting gets through to the second stage in February.

Friday, 18 October 2013

Of The Corner of My Eye

Newly completed painting acrylic on canvas 40 x 40 cm. Off to Will's Art Warehouse for their winter exhibition (not mentioning the c-word). Trying to illustrate the experience I have of seeing wildlife in my environment, that fleeting glimpse and playing with the decorative elements of my work. Tried it with green leaves as they were the ones I selected from the garden, especially the tear shaped Bay leaves, great to draw round and you get a lovely waft of herb, but I realised that I really have a problem with green. So an autumnal feel which I suppose is suitable for the season. Interesting to hear on Grayson Perry's much quoted lecture that blue paintings are what people want and I have also read that red ones sell for more, so I'm hitting two criteria with one image and avoiding horrid green.
More completed images soon and details of where my work can be seen over the next few months.

Friday, 27 September 2013

Buy Art Fair Manchester

This little painting 10x10 cm acrylic on board 'Willow Tit and Blue Tit' one of a group on show at The Buy Art Fair in Manchester with Comme Ca stand 83. Fair is on Saturday and Sunday 28th and 29th September in Spinningfields. Lots of interesting things to see at the fair and The Manchester Contemporary too